His signature big rig – complete with an elegant hood ornament – becomes an ominous sign of danger, as a Jaws-like score introduces impending doom. Cue bodies exploding into a reddish pulp, tires kicking up bloody mists, and many other automotive-themed deaths.Īiding in the fun of Joy Ride 3 is Rusty Nail himself, a villain boasting a re-invigorated presence thanks to Ken Kirzinger’s first-time effort as the vile trucker. The opening debauchery is eerily reminiscent to a trap from Saw, as Rusty re-lives a distant memory and makes his tweaking victims pay for their seedy ways. Granted, previous directors John Dahl and Louis Morneau have their own seriously sadistic moments of pain, but O’Brien makes Rusty Nail more of a slasher villain than tormentor. Little time is wasted establishing a generic batch of young lead characters, and even less time is wasted introducing us to O’Brien’s hyper-violent influence on the Joy Ride franchise. Joy Ride 3 benefits from a very clear understanding of personal goals, none of which reach very far beyond being a short and sweet thrill ride.
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Will they escape the ruthless trucker’s grasp, or will their demise be nothing but a skid-mark on a long patch of pavement? What starts as a leisurely drive turns into a race for survival, testing these driving aces for all they’re worth and putting their lives on the line. After being warned about a long stretch of highway that would cut down their travel time by about a day, the roadsters find themselves being stalked by a vengeful trucker who isn’t too amused by their flashy driving antics. In some cases, the road less traveled always leads to adventure, but for a group of rowdy street racers heading to Canada, their adventure quickly turns into a nightmare thanks to an urban legend of sorts (Rusty Nail). Go ahead, sit back and enjoy the ride – if you dare. O’Brien is more widely known for his work on the latter Wrong Turn movies, films oozing with wild gore, and that signature focus on mutilated body parts certainly makes for some nice bits of roadkill strewn about Slaughter Alley – but does the promise of vile brutality make another horrifying road-trip sound enticing? Not many people were clamoring for Joy Ride 3, yet Twentieth Century Fox took a gamble on this grotesque home release, and while horror fans certainly won’t be hailing the road-raging franchise, there’s a surprising amount of cringe-worthy moments that never cease to disappoint. The Joy Ride movies aren’t as much a franchise as they are one luckily decent Paul Walker thriller followed by whatever the hell Joy Ride: Dead Ahead is, but with every intention of keeping the rubber burning, Sharktopus director Declan O’Brien was brought in to create a second sequel so good, the competition would be forced to eat nothing but dust.